You can purchase any of the following at: grolierpoetrybookshop.org
by Cynthia Snow / $17.00
"The "Small Ceremonies" of Cindy Snow's marvelously unafraid poems are the liturgies of Eros and Thanatos, of sex and love and birth and aging and death. The book itself works a kind of sympathetic magic, telling stories of everyday encounters in ways that reveal their essential strangeness, and casting the powerful light of imperfect, sensual, living bodies upon the hidden life of the spirit.
Hanging Loose 107
by Donna Dennis / $11.00
Features an art portfolio by Donna Dennis and exciting new work from Rosalind Brackenbury, Liuyu Chen, Harley Elliott, Gerald Fleming, Joanna Fuhrman, Gardner McFall, Maureen Owen, Ron Padgett, Tim Robbins, Mark Terrill, and many more, including our regular section of wonderful high school writing.
by Ruth Lepson / $12.50
"ask anyone is the record, think disk, of Ruth Lepson's encounters with some of the musicians she has taught at Boston's New England Conservatory of Music. For twenty years, she has worked in a world where words meet music and the results lead, often as not, to performance. At the Conservatory she befriended her colleague, the great soprano saxophonist and lover of poetry, Steve Lacy, who long collaborated with her poet-hero Robert Creeley. Creeley is ask anyone's guiding spirit, but the book's looseness, stretching out and swing is all Lepson. In ask anyone Lepson honors her lineage by bringing it into the here and now. Lend an ear."
"I have this theory (burp) that every poet, including me, wants to write like the proverbial "ancient Chinese" one on a mountain top; to write clearly, whether passionate or wise or both (can one be both?), to simply tell. Well, you're a model of that. Only Joe Ceravolo of my generation came anywhere near.
- Bill Berkson
by Michael Palmer / 15.95
"Thread presents eighty-six new poems by "the foremost experimental poet of his generation, and perhaps of the last several generations" (The Poetry Society of America's 2006 Wallace Stevens Award citation).
"Michael Palmer's new collection is structured in two parts, "What I Did Not Say" and "Thread", subtitled "Stanzas in Counter light." It begins with a beautiful suite of poems featuring The Master of Shadows (first glimpsed in his 2006 collection The Company of Moths). The counter light of the title section shines in shafts of Palmer's ever-surprising ironic wit, which is given to sidelong parallel leaps. Several poems in Thread directly address our endless wars, yet even in sorrow and rage the poems still glow with wonder. In multi phonic passages, voices speak from a decentered place, yet are grounded in the central rootedness of the whole history of poetry and culture that has gone before. In his new poems, signature palimpsests create complex cycles of thought, "returning and returning" via echoes to what he has called "the layering process, the process of accretion and the process of emergence."
- New Directions website
It Takes One To Know One
by Michael Lally / 18.95
"Michael Lally, winner of a 1999 American Book Award for his sensational debut Black Sparrow volume, It's Not Nostalgia, evinces the same stunning honesty and self-analytical clarity in this powerful new collection of autobiographical poetry and prose. Retracing his wandering life-path from a rough Irish-Catholic boyhood in a working-class suburb of Newark, N.J., through turbulent years of radical political engagement in Washington, D.C., struggling-poet bohemianism in New York and elusive brushes with movie-star fame in Hollywood, Lally finally circles back to his home turf of South Orange, an older and wiser man."
"If in the chapter, "Lally's Alley," the author's large family "owned" the eponymous block on which they lived, so too does Lally own this work. The book's melange of vignettes, poems, tracts, and reminiscences is daring to say the least; still, sprawling like the Lally clan, these variegated ruminations manage quite nicely to cohere."
"Lally is a fierce writer and intellect. His Irish-American heritage is a recurring theme, but it provides a jumping-off point for exploring the American Way and the different American zeitgeists the author has witnessed, rather than acting as a limiting agent. Though his "Newark Poem" explains that the speaker has waited all his life in Jersey for the great cities of the world to come to him, It Takes One to Know One rises above New Jersey and indeed even America as Lally plumbs the soul of his people, his country and himself."
- David R. Godine, Publisher